In my artistic practice, I am deeply invested in exploring the intersection of sound, movement, and sensory experience through a lens that prioritizes the body’s role in understanding and conveying meaning. My process begins with an intimate and exploratory relationship with materials, whether they be vocal techniques, physical gestures, everyday objects or virtual ones. I prioritize tactile and audible experimentation, allowing my natural curiosities to guide the creation of immersive environments where the audience becomes an integral part of the experience.
I engage in a reflective dialogue with my body and voice, observing how they resonate within various contexts and materials. This investigatory phase is critical; it transforms my physical interactions into a language of expression that transcends mere words. Each gesture is selected not solely for its aesthetic value but for its potential to evoke emotional resonance and cognitive engagement. By incorporating elements of improvisation, I maintain an openness to spontaneity, allowing new relationships and meanings to emerge organically throughout the performance.
Ultimately, my process is a commitment to revealing the hidden layers of communication inherent in non-literal forms. By embracing the sensual richness of sound and movement, I seek to invite audiences into a shared experience that challenges conventional interpretations and elevates the collective understanding of art's transformative power. My work as a composer-performer reflects a deep dedication to the sensory roots of artistic expression, affirming the importance of the body in shaping meaning and connection.